While my mind is percolating on new ideas for both sculpture and drawings, I am rebuilding an older piece, originally entitled “The News!” The concept has been going through numerous changes in my mind and on paper for a while, ever since I created the bronze and copper original about 11 years ago. This sketch piece was never really finished, so the current reworking makes perfect sense in the evolution of a concept originally intended as a large scale public art piece. I’m toying with a title which better describes the new configuration of the figure and other elements. It has to do with the history of human communication. As soon as I get the sculpture sand blasted, I’ll patina it and then it will be “finished,” although, I would still like to see it done on a larger scale. Pictures will be forth coming.
I am often asked whether or not I am successful as an artist. In almost all cases, whoever is asking wants to know if I have gained fame and fortune in my career as an artist. As a matter of fact, I have had some “fortune and glory,” along the way. “Success,” for me means that I have successfully completed a given project and have succeeded in whatever artistic experimentation I was after when I started. I have certainly had my share of monetary famine through the years, and have had to rely on other skills to pay the bills, but, with all of that, I am still experimenting in the studio, completing commissions, exhibiting and selling my work. I don’t make art because I want to. I make art because I have to. It is an addiction and a passion, and not a hobby.
I often speak of the “universal” and the more “personal” in my art-making. What I mean by this is: ideas that are reminders of our collective humanity,or those big concepts that make us “human” are universal, and those experiences that come directly from my own life or my interpretation of them are personal. I like to combine the two as I work out the design of a piece. A lot of this conceptualizing occurs in sketch form before I commit clay or bronze to it, but much of this interplay unfolds during the actual physical processes of building the sculpture or finished drawing. My bronzes are as much about fabrication as they are about casting, and much of the design work occurs as I determine the final assembly of various component parts of the sculpture. This dynamic helps to keep the work fresh and constantly changing right up to completion.
HAPPY CHRISTMAS…HAPPY END OF YEAR…HAPPY WINTER SOLSTICE…MERRY TIMES TO ALL! I try to remember our collective humanity at this time of year, and act accordingly. Celebrations of life can be in the small things as well as the big.
More art coming soon!
I have been out of town for a while doing my carpentry thing, so, here I am catching up. The Central Washington Artist Exhibition at the Larson Gallery is an annual competitive exhibit of all media, and is just finishing up this Saturday. The “Elocution” sculpture I created recently is in this show, and I have been pleased by some of the responses to it. (Of course, I’d be even happier if it sold.) I have enjoyed being a part of this exhibit over the years and look forward to the next time around. It’s a chance to see new art by old faces as well as art created by new faces. I have new ideas percolating in the studio and remodel work to get back to in Yakima, so…onward!
Sir Anthony Caro passed away a couple of weeks ago at the still productive age of 89. Although I never met him in person, Caro’s work was among a relatively short list of artists who influenced my development as a sculptor. His intuitive understanding of space and how to both displace space, while, at the same time, embracing it, is a lesson I will take with me for the rest of my productive life. I was first introduced to his sculpture work while I was a student at Western Washington University and studied his piece entitled “For India.” That sculpture was a revelation to me as to how it had (has) such a sense of monumentality and yet delicacy. It was like poetry in steel.
As October leaves us, I will be taking down the show at The Gallery By the River (Allied Arts, Richland, WA.) having sold one piece, with another in the 58th Annual Central Washington Artists’ Exhibition at Larson Gallery in Yakima, WA. (Nov.2-Dec.7, 2013),and three others will be on consignment with a new gallery. The new gallery (new for me) is Oak Hollow Gallery at 5631 Summitview, Yakima, WA. Josey Fast, owner and manager of Oak Hollow, was at the reception at the Allied Arts show, was impressed with the work, and invited me to put the pieces in her gallery. www.oakhollowframes.blogspot.com
So…ONWARD! Oh, and I’m going to go listen to Orson Welles’ broadcast of the “War Of the Worlds.” It’s Holloween time, after all.
The weather is finally out of the 95-105 degree mark and we have the crisp sunshine and colors of fall here in the Tri-City area. The reception on last Sunday for the exhibit at Allied Arts was well attended, and everyone had a good time. It was fun to see old friends whom I had not seen in a while, and to talk to potential patrons about my work and creative philosophy. I have been in many exhibits over the past 40+ years, but it’s always a joy to view my work all together in a grouping with the gallery lighting, and certainly with Thelma’s paintings on the walls. The sculptures seem to be communicating with one another!
So, all of you out there; DON’T FORGET THE OCTOBER EXHIBIT! As per my last posting, I will be setting up an exhibit at The Gallery at the Park in the Allied Arts building in Richland, WA this weekend that will run October 1-31. I will have a number of works created over the last two years, as well as a few older pieces that have been significantly rejuvenated. All the art is for sale and there will be a reception on Sunday, October 6th 1-3pm at the gallery, 89 Lee Blvd, Richland, WA.
My good friend and fellow artist, Thelma Triplett will be showing her mixed-media paintings as well. Thelma’s work is a splash of expressionism unlike most painting being done in the Northwest. COME ONE, COME ALL!